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The next step was to stamp the grid lines that separate each section of the cloth. Traditionally, a comb dipped in ink would be used. I have never had much success with that method, so I created a stamp with a hot glue gun. The lines are not completely straight, so it has an organic look, similar to that used by dragging a comb across the surface. In most of my other work I have a very loose approach, but for adinkra, I usually do measure to get the grids and lines even. Stamping the grid is actually the most time consuming part of the process because of the measuring involved.
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Once the grid was complete, I carved the stamps with the adinkra symbols. In Ghana, the traditional method is to carve the adinkra symbol out of a gourd. I take the modern approach and use stamp carving blocks, available from Speedball, Dick Blick and Nasco. These blocks are very easy to carve with linoleum carving tools. I already have a number of adinkra symbols carved, so for any given project, I usually have to carve only a few stamps. The stamps do wear out from use, so occasionally I have to carve a new stamp when one is not printing a clean image anymore.
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Before I begin stamping the adinkra symbols, I always take a few moments to quiet my mind. I focus on the recipient of the cloth, the intended use for the cloth and the symbols chosen. I create a mantra of sorts related to each symbol. As I stamp, it becomes a blessing for the cloth and the recipient.
Check back next week for photos of the second cloth in this series.
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